A digital recreation of Hadrian's Wall as it appeared in 180AD. Commissioned by Time Machine Designs and working in partnership with Tyne and Wear Archives & Museums, the project brings together historical experts and game students/graduates to develop an accurate representation of the wall in Microsoft Flight Simulator.

Boomsatsuma's Venture Studio offers students and graduates an opportunity to work on live, commercial projects that are going places.

This film features work by Dylan Fowler (Technical Manager), Jay Dumpleton (Concept Artist), Phoebe Gibson (Concept & Texture Artist) and Hannah Maggs (Concept Artist).

An interpretation of Brighton Palace Pier as a place long abandoned and reclaimed by nature. Created in Unreal 5 and related technologies for the final year module, Devised Project.

Contributions from Ryan Street (3D Assets), Adam (3D Assets) and Sarah (Sound Design).

Mia walks us through her process to create a retro workspace using Blender. This work was presented as part of the year 1 module, Environment Art.

A series of renders of an original robot concept, modelled and textured in Maya for the first year module, 3D Character Art. Ethan aims for a cartoon-like aesthetic with intentionally low resolution facial details that represent an old TV.

This animation, about two satsumas, was created for a music video project. Game Art students and staff came together to build a custom set of 3D, lighting, and tracking tools for use in both this project and future works.

Made in Blender, these skills experiments utilise techniques such as inverse kinematics, forward kinematics, time remapping, projectile simulation and hair/fur simulation.

Abraham's 3D environment is inspired by the video games DayZ and S.T.A.L.K.E.R. These renders was created using Maya and Unreal Engine for the first year module, Environment Art.

Year 1 Game Art student Harvey talks us through how he used Unreal 5 to animate his model of an Odradek Terrain Scanner from the game Death Stranding.